A Quality of Light, A Pattern Disrupted, A Motion, A Balance, A Contradiction
W. T. Benda - Colliers - c1920s - via
Sir John Lavery, The Studio Window, 7 July 1917, 1917, Museum of Northern Ireland
Mother’s Morning - Jessie Willcox Smith
The Child - Thomas Edwin Mostyn - 19th century
Lillian Gish Photographer Edward Steichen captured the actress in an early colour rendering for Vanity Fair’s December 1932 issue
The Ugly Princess (c. 1902). Eleanor Fortescue Brickdale (English, 1871-1945).
Inspired by a poem by Charles Kingsley, which concludes: “I was not good enough for man and so am given to God.” The heroine is a princess forced to become a nun after being rejected by her intended husband.
As an illustrator and painter, Brickdale’s works are always styled in the manner of the Pre-Raphaelites, using vibrant jewel like colors and representative 19th century subject matter. 

The Favourite Poet by Sir Lawrence Alma-Tadema
Model is Writing a Picture Postcard (1906), detail. Carl Larsson (1853–1919). Watercolor. Thiel Gallery. Stockholm.
“…it would be enough reward if only men, through my art, understood how beautiful a flower on the side of a path is; how charming are the plaits around a young girl’s small round neck, and the touch of the sun on a little nose; how splendid the nude figure of a woman is…but one must produce these images in the best possible way, with joy and enthusiasm, with hard work and pain, and the final result must be a victory, not giving the impression of confusion or fatigue, but illuminating the onlooker in a liberating way…” — Larsson, 1911, magazine Kunst

such an unecological sorceress - via